Poetry of World War One

Suicide in the Trenches
Siegfried Sassoon

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.

In winter trenches, cowed and glum,
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.

 

Glory of Women
Siegfried Sassoon

You love us when we’re heroes, home on leave,
Or wounded in a mentionable place.
You worship decorations; you believe
That chivalry redeems the war’s disgrace.
You make us shells. You listen with delight,
By tales of dirt and danger fondly thrilled.
You crown our distant ardours while we fight,
And mourn our laurelled memories when we’re killed.
You can’t believe that British troops ‘retire’
When hell’s last horror breaks them, and they run,
Trampling the terrible corpses—blind with blood.
  O German mother dreaming by the fire,
  While you are knitting socks to send your son
  His face is trodden deeper in the mud.

 

The Dug-Out
Siegfried Sassoon


Why do you lie with your legs ungainly huddled,
And one arm bent across your sullen, cold,
Exhausted face? It hurts my heart to watch you,
Deep-shadow’d from the candle’s guttering gold;
And you wonder why I shake you by the shoulder;
Drowsy, you mumble and sigh and turn your head...
You are too young to fall asleep for ever;
And when you sleep you remind me of the dead.

 

In Flanders Fields
John McCrae

In Flanders fields the poppies blow
Between the crosses, row on row
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

 

High Wood
Philip Johnstone

Ladies and Gentlemen, this is High Wood,
Called by the French, Bois des Fourneaux,
The famous spot which in Nineteen-Sixteen,
July, August and September was the scene
Of long and bitterly contested strife,
By reason of its High commanding site.
Observe the effect of shell-fire in the trees
Standing and fallen; here is wire; this trench
For months inhabited, twelve times changed hands;
(They soon fall in), used later as a grave.
It has been said on good authority
That in the fighting for this patch of wood
Were killed somewhere above eight thousand men,
Of whom the greater part were buried here,
This mound on which you stand being...
Madame, please,
You are requested kindly not to touch
Or take away the Company's property
As souvenirs; you'll find we have on sale
A large variety, all guaranteed.
As I was saying, all is as it was,
This is an unknown British officer,
The tunic having lately rotted off.
Please follow me - this way.....
the path sir, please,
The ground which was secured at great expense
The company keeps absolutely untouched,
And in that dug-out (genuine) we provide
refreshments at a reasonable rate.
You are requested not to leave about
Paper, or ginger-beer bottles, or orange-peel,
There are waste-paper baskets at the gate.

 

With An Identity Disc
Wilfred Owen

If ever I dreamed of my dead name
High in the heart of London, unsurpassed
By Time for ever, and the Fugitive, Fame,
There seeking a long sanctuary at last,


I better that; and recollect with shame
How once I longed to hide it from life's heats
Under those holy cypresses, the same
That shade always the quiet place of Keats,


Now rather thank I God there is no risk
Of gravers scoring it with florid screed,
But let my death be memoried on this disc.
Wear it, sweet friend. Inscribe no date nor deed.
But may thy heart-beat kiss it night and day,
Until the name grow vague and wear away.

 

The Parable of the Old Man and the Young
Wilfred Owen

So Abram rose, and clave the wood, and went,
And took the fire with him, and a knife.
And as they sojourned both of them together,
Isaac the first-born spake and said, My Father,
Behold the preparations, fire and iron,
But where the lamb, for this burnt-offering?
Then Abram bound the youth with belts and straps,
And builded parapets and trenches there,
And stretched forth the knife to slay his son.
When lo! an Angel called him out of heaven,
Saying, Lay not thy hand upon the lad,
Neither do anything to him, thy son.
Behold! Caught in a thicket by its horns,
A Ram. Offer the Ram of Pride instead.

But the old man would not so, but slew his son,
And half the seed of Europe, one by one.

 

The Refined Man
Rudyard Kipling

I was of delicate mind. I stepped aside for my needs,
Disdaining the common office. I was seen from afar
And killed.
How is this matter for mirth? Let each man be judged
By his deeds.
I have paid my price to live with myself on the terms
That I willed.

 

Petite Chanson des Mutilés
Benjamin Péret

Prête-moi ton bras
pour remplacer ma jambe
Les rats me l'ont mangée
à Verdun
à Verdun.

J'ai mangé beaucoup de rats
mais ils ne m'ont pas rendu ma jambe
c'est pour cela qu'on m'a donné la croix de guerre
et une jambe de bois
et une jambe de bois.

Does it Matter?
Siegfried Sassoon

Does it matter?--losing your legs?... 
For people will always be kind,
And you need not show that you mind 
When the others come in after hunting 
To gobble their muffins and eggs. 

Does it matter?--losing your sight?... 
There's such splendid work for the blind; 
And people will always be kind, 
As you sit on the terrace remembering 
And turning your face to the light. 

Do they matter?--those dreams from the pit?... 
You can drink and forget and be glad, 
And people won't say that you're mad; 
For they'll know you've fought for your country 
And no one will worry a bit.

 

Survivors
Siegfried Sassoon

No doubt they’ll soon get well; the shock and strain
Have caused their stammering, disconnected talk.
Of course they’re ‘longing to go out again,’—
These boys with old, scared faces, learning to walk.
They’ll soon forget their haunted nights; their cowed
Subjection to the ghosts of friends who died,—
Their dreams that drip with murder; and they’ll be proud
Of glorious war that shatter’d all their pride...
Men who went out to battle, grim and glad;
Children, with eyes that hate you, broken and mad.

 

Fight to a Finish
Siegfried Sassoon


The boys came back. Bands played and flags were flying,
And Yellow-Pressmen thronged the sunlit street
To cheer the soldiers who’d refrained from dying,
And hear the music of returning feet.
‘Of all the thrills and ardours War has brought,
This moment is the finest.’ (So they thought.)

Snapping their bayonets on to charge the mob,
Grim Fusiliers broke ranks with glint of steel,
At last the boys had found a cushy job.

. . . . 

I heard the Yellow-Pressmen grunt and squeal;
And with my trusty bombers turned and went
To clear those Junkers out of Parliament.

 

Grass
Carl Sandburg

Pile the bodies high at Austerlitz and Waterloo. 
Shovel them under and let me work— 

I am the grass; I cover all.

And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work. 
Two years, ten years, and passengers ask the conductor: 
What place is this? 
Where are we now?

I am the grass.
Let me work.

 

S.I.W.
Wilfred Owen

I will to the King,
And offer him consolation in his trouble,
For that man there has set his teeth to die,
And being one that hates obedience,
Discipline, and orderliness of life,
I cannot mourn him.
W. B. Yeats



I. The Prologue
Patting goodbye, doubtless they told the lad
He'd always show the Hun a brave man's face;
Father would sooner him dead than in disgrace,-
Was proud to see him going, aye, and glad.
Perhaps his mother whimpered how she'd fret
Until he got a nice safe wound to nurse.
Sisters would wish girls too could shoot, charge, curse...
Brothers would send his favourite cigarette.
Each week, month after month, they wrote the same,
Thinking him sheltered in some Y. M. Hut,
Because he said so, writing on his butt
Where once an hour a bullet missed its aim.
And misses teased the hunger of his brain.
His eyes grew old with wincing, and his hand
Reckless with ague. Courage leaked, as sand
From the best sandbags after years of rain.
But never leave, wound, fever, trench-foot, shock,
Untrapped the wretch. And death seemed still withheld
For torture of lying machinally shelled,
At the pleasure of this world's Powers who'd run amok.

He'd seen men shoot their hands, on night patrol.
Their people never knew. Yet they were vile.
'Death sooner than dishonour, that's the style!'
So Father said.


II. The Action
One dawn, our wire patrol
Carried him. This time, Death had not missed.
We could do nothing but wipe his bleeding cough.
Could it be accident?-Rifles go off...
Not sniped? No (Later they found the English ball.)


III. The Poem
It was the reasoned crisis of his soul
Against more days of inescapable thrall,
Against infrangibly wired and blind trench wall
Curtained with fire, roofed in with creeping fire,
Slow grazing fire, that would not burn him whole
But kept him for death's promises and scoff,
And life's half-promising, and both their riling.



IV. The Epilogue
With him they buried the muzzle his teeth had kissed,
And truthfully wrote the Mother, 'Tim died smiling.'

 

Dulce Et Decorum Est
Wilfred Owen

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.


Gas! Gas! Quick, boys!-An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,-
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

 

The Veteran
May 1916
Margaret Postgate Cole

We came upon him sitting in the sun
Blinded by war, and left. And past the fence
There came young soldiers from the Hand and Flower, 
Asking advice of his experience.

And he said this, and that, and told them tales, 
And all the nightmares of each empty head
Blew into air; then, hearing us beside,
"Poor chaps, how'd they know what it's like?" he said.

And we stood there, and watched him as he sat, 
Turning his sockets where they went away,
Until it came to one of us to ask "And you're how old?"
"Nineteen, the third of May."